Adrián Regnier
Ana Barroso
Andrea Novoa
Anna Baranska
Apotropia
Clara Aparicio Yoldi
contatto.html
Cyril Galmich
Dan Lahiani
Daniel Seraphim
Daz Disley
Dianela Torres
Eija Temiseva
Fenia Kotsopoulou
Filomena Rusciano
Francesca Bonci
Francesca Fini
Francesca Leoni
Francesca Lolli
Franck McCauley
Furen Dai
Gabriel Desplanque
Gaetano Mastrocinque
Guilherme Bergamini
Isabel Perez del Pulgar
Isabel Perez/José Cruzio
Kappala Kumar
Kristina Paustian
Luis Lopes
Marcantonio Lunardi
Março Schiefelbein
Natalia Behaine
Natália de Mello
Pancrazio da Padova
Ruxandra Mitaxe
Salvatore Insana
Sevcan Sonmez
Silvia de Gennaro
Tales Frey
Thomas Hjornet
Tiziano Bellomi
Yao Cong

ANNA BARANSKA (Pl), Next To, 3: 37, 2017

Video is reduced to middle vertical line of pixels, so it's completly abstract. Sound  hasn't been changed. What you can hear are dialogues or sounds of nature recorded near water sources, such as rivers, taps, lakes. Although sound haven't been modified, dialogues are recorded in native languages and left without translation - so they become abstract for almost all of the viewers. It's the same level of abstraction of sound and picture, although only one of them was processed. Beside of this, nature of the human is to try to locate yourself in the real world. And it's possible to do it. There's one universal thing for us, no matter from which part of the world. It's the nature.

Anna Beata Baranska in Ilza, Poland, in 1981. Lives and Works in Lublin / Poland. Is PhD in Arts by University of Maria Sklodowska Curie in Lublin. Exhibits / work on video art, paintings  regularly since 2009. Major exhibitions / events:
1. Punto y Raya Festival; Karlsruhe Germany, 2016;
2. Festival Oodaaq; Rennes, Nantes, Sain Malo; France, 2016 ;
3. International Video Art Festival - Now & After - Between image and personality (guest program - Collection of Polish video art Media Art Biennale WRO), Moscow, Russia 2013;
4. Electronic Language International Festival FILE 14, São Paulo, Brazil, 2014